In a world increasingly dominated by the digital and artificial, there are people creating work that exists outside that machine.
There are still people taking creative risks—offering something raw, personal, and real. People like Mohammed Sami, the artist nominated for this year’s Turner Prize. His paintings are stunning in their emptiness: no figures, just haunting interiors and dreamlike landscapes that speak to his experience of war and exile. His voice comes through without needing to be literal.
An image from After the Storm, Mohammed Sami’s solo exhibition at Blenheim Palace in Oxfordshire, England (2024)
To have a voice, artists need clarity of vision—and the courage to share it. Tanya Shadrick wrote this in The Cure for Sleep:
“Where does it begin, our turn away from risk and adventure? Why do so many of us hide in routine, shrink from opportunity?… For if the events which wake us are sudden, what leads to a sleep of soul and possibility is harder to trace.
We have to go back through all the tales told to us (or by us) about the world and its workings: that bramble thicket in which we lost our will and way.”
By awakening “soul and possibility,” we begin to recover that voice. That vision. That creative instinct so often buried beneath expectations and noise.
Outwrite Project
On 7th May, I decided to try something new. I began my Outwrite Project.
The idea is simple: I write outdoors, by hand, for up to 30 minutes every day. Why? Because consistency is the only way to improve—and because I wanted to see what might surface when I gave myself that kind of space and rhythm. I wanted to be shaped by my physical surroundings rather than the digital ones I so often inhabit.
Here, I’m sharing what I wrote between Monday 12th and Sunday 18th May.
Each piece is like a sketch: a glimpse of whatever was stirring just below the surface. Think of them as creative postcards—small, spontaneous missives with the hope that one might trigger an idea or spark something new.
Even if you’re not usually drawn to poetry, I hope there’s something in the act of sharing these handwritten, honest, unedited—and dare I say it, ‘unmonetized’—pieces that resonates.
For me, handwriting a poem outside each day is how I begin to find my voice. It helps clear away the tales I no longer need—the ads, the algorithms, the constant distractions—and opens up a little space to breathe, notice, and speak.
Maybe that’s what this whole project is teaching me: that to really find your voice, you have to be quiet enough to hear it—and brave enough to let others hear it too. It’s not always comfortable. But clarity comes when we stop trying to impress, and start trying to listen. And maybe, if we’re lucky, what we share will speak to someone else’s silence too.
Like all poems, the ones that follow are best heard—or read—aloud.
Monday 12 May 2025
And so—an empty carriage
15 seats
4 doors on either side
And of course
The endless people come
The predictability of the capital
Peace is fleeting
Silence is hunted
Slow is rejection
And it occurs to me that not only
Don’t we see
The readers of books
So few, scattered among the heads and phones
Even rarer still
Are the people with a pen
Writing a sonnet on their way to work
A love letter to their partner
Or a story of betrayal and conquer
The people with a pencil
Doodling a dress
Creating a portrait of a passenger
Or designing their lottery winning home
And so—where are the dreamers? On what hill did the dreams die?
Did we all leave them behind, in our departure stations, our old schools, our forgotten childhoods?
Where must they be when all we see
Are people hungry for peace
Silence and a life that finally slows?
Maybe dreams aren’t lost at all
But etched in our frowns and deflated lungs,
In the pauses of conversation and sips of political debate.
The weariest of city dwellers must
Surely not be so different
From the ones that Dickens and Collins observed
Who Potter would envisage as rabbits or foxes?
We still move on their tracks, weep like their memories and squeeze lives together like the rats beneath us.
And so—maybe all the dreams are simply trapped
Without a pen, and no pencil to call them home?
The mighty phone has won,
Loved to an almighty obsession
Consuming all attention and
Vacuuming all creation.
Till we’re all simply empty
With 4 talents abandoned
And 15 opportunities unnoticed.
Filling our every moment
With chaos, noise and momentum.
Tuesday 13 May 2025
The emptiness of the clouds
Descends
Unannounced
Immersing the soul
In a dew of memories
Forgotten
The world becomes askew
And all that remains
Is a fog
No past, no future
Just a present without gifts
And then, just like that
One day
Far away
The clouds decide its time
To rise
And the soul breathes again
Unstifled
Untangled
Stretching its vision, anew.
Wednesday 14 May 2025
What is writing after all
If were flying through stars
Or crawling the breeze
A search for sustenance
Unlike any creature
We hunt for words
That elude our lies
We pray forgiveness
From a past that
Only we recall.
What is writing after all
If it begins in a question
So small
If we’re walking the earth
Or climbing our ladders
A search for survival
Like every career
We find the words
That reveal our lives
We pray acceptance
In a future that
Only we envisage.
Thursday 15 May 2025
Teenagers next to me
Discussing university
Make up, sunglasses
Dreaming of their future
While analysing photographs
Unaware of the world
Before them
After them
How degrees lost their value
How religion lost its influence
How declaring your regular prayers doesn’t equate to virtue
Yet they speak, so loud
Of their habits of adherence
Observing the teachings
And questioning so little
Making a performance
Of their inherited beliefs,
A thing for public display, not personal sustenance
Reminded, so powerfully
Of the 1990s
Judging, judging
I observed their observations
And still, little has changed
The university conversation
The photos discussion
All show, show, show
But where’s the sustenance?
It wasn’t there 30 years ago
And still I search for it
While they search, still
For status, symbols
A shallow display
Pleasing their parents, pleasing a culture, prioritising performance
Moral grandeur
Without awareness of our insignificance
Our miracle
How society runs on community
Not masks of goodness.
Friday 16 May 2025
Contemplating pretty
I wonder what it means
When it increasingly
Ages backwards
Unnaturally
In plumped lips and brows defined
I wonder where’s the awe
When skin isn’t allowed to tell its stories
And eyes, forbidden
From laughter
Shock becomes frozen, flattened ground,
And joy doesn’t shake, doesn’t wobble
Contemplating ugly
I wonder when it turned
Thrilling, full of middles and endings
Ages forwards
In mapped faces and thighs
Fattened
I wonder how it happened
When lying became permitted
In perceptions of pretty
That only children
See transparent
As acting and temporary
A façade over all that means
Love and beauty.
Saturday 17 May 2025
There’s no honesty
In words
If our eyes fail to
Smile
When our hearts start to
Squeeze
And our breath catches up
To the violence
The visions we see online
Of injustice, without vision
There’s no humility
In silence
If our pauses succeed
In denial
When our stories hide what’s honest
And our sketches are the faintest
Shadows
Without colour, light or darkness.
Sunday 18 May 2025
Yes, they ruin your life
Desecrate it
Until its unrecognisable
A grenade smashed
By a tennis racquet
That seemed so eloquent
And romantic
Your life, the one you grew so
Accustomed to
Explodes into a thousand
Sparkling memories
Fondly recalled
During sleepless nights
And soundtracks of shouting, plastic, sand
Bouncing, balloons and parties
Oh—so many parties
Not the fun kind
They were obliterated
Now, they’re early, monotonous and LOUD
Not in a euphoric way
Under the rubble, stains, vomit
And oh—so much poo
Your new life whispers
One day, to you
In the laughter, love and tears
That the earthquake was
Oh—so worth it
A blessing, an angel, a disguise
For something more to come
A life unrecognisable
Built from your children’s lessons
Of what life really means
When it’s not all about you.
—
Thank you for reading.
Lovely poems which I really enjoyed reading, thank you!
Loved these again. Some real gems in here. I hope you are saving them. I haven’t yet backed my stuff up and given some of the stories I have heard about losing articles I think it would be a good precaution